Skip to main content

Assail by Ian C. Esslemont


In this final installment of the Novels of the Malazan Empire series, Ian C. Esslemont explores the semi-mythical land of Assail.

Rumors of abundant gold deposits has attracted adventurers and fortune-seekers. Some of these however are not seeking wealth but have come to Assail for something else. The natives, besieged by the newcomers, could do nothing else but band together and temporarily forget their blood feuds to protect the land. The land of Assail is mostly unexplored and there are plenty of tales to scare some who have heard whispers of Elder monsters from which the name of the land must have been taken. The story is told from different points of view.

The second in command Shimmer took it upon herself to force the K'azz and the rest of the Crimson Guard to undertake the journey. The bard Fisher Kel Tath finds his steps leading him home. While Kyle carries a sword called Whiteblade which attracts trouble wherever he goes. Orman, son of Bregin, is one of the lowlanders who dreams of going to the Greathalls of the high slopes and perform great deeds. One of the fortune-hunters Jute Hernan, captain of the Silver Dawn, looks upon the obstacles he and his crew have to pass through and begins to doubt his decision to join in the hunt for gold. Meanwhile, Silverfox, the Summoner of the T'lan Imass is in a race to stop a massacre about to happen.

The title of the book alone sent chills up my spine. When I first heard of it, I anticipated that the author would come up with another book that is as entertaining as his previous books. Esslemont did not disappoint. He's one of those few authors that makes writing look so easy. Smooth: that's one word to describe his writing style.

Now I'm not gonna reveal more about what happened in the book (if you're a Malazan fan you know the only way to answer the questions is to read some more), but Assail did tie up some loose ends. Some story-lines which did not have a follow-up in the previous books were addressed here. But like all Malazan books, Assail also raised new questions. Questions which I hope will be answered in the future books planned by Esslemont and Mr. Steven Erikson. There was one character here whose true identity has plagued my brain with questions even after I finished the book.

What I love about Esslemont is the power and clarity of his descriptions. The scope of Assail is not like that of Blood and Bone (which by the way is my favorite among the six books) or Return of the Crimson Guard, but the experience is equally satisfying. I have always admired his preference for fewer POV characters and the good action scenes. You could tell this guy knows his craft well.

I've said this over and over again in my previous reviews of the Malazan books (including Steven Erikson's) that the series is intellectually and emotionally fulfilling. The authors do not insult the readers with cliche plot and characters. I do not recall ever getting bored or disappointed because I can predict what the characters will do next or the direction of the story. The Malazan world is rich and alive and you just get sucked into all the intrigues and mysteries of the mortals and the divine. And that is probably part of the reason why even a few fans of the fantasy genre cannot appreciate the Malazan series just as easily as other popular series---because they think it's a difficult read! It's worth it though. Once you get over the slightly challenging Gardens of the Moon by Erikson, you'll be hooked by the time you're into Deadhouse Gates.

If you're planning to start the series, I recommend starting with Erikson's first. Read all the books in proper order of release date. You can alternately read Esslemont's and Erikson's book if you like. Both series are meant to complement each other.

Rating: 10 out of 10

Links of my reviews of the five previous books of the Novels of the Malazan Empire:

Comments

Popular Posts

Deities and Mythical Beings of the Davao Tribes

Note: I don't claim to be an expert in the mythology and religion of the six tribes featured here. My source for this information is Fay-Cooper Cole's The Wild Tribes of Davao District, Mindanao. This entry is solely a list for future references. The deities and mythological creatures here are from Fay-Cooper Cole's The Wild Tribes of Davao District, Mindanao . This is a list of the gods, goddesses, and spirits/spirit classes of the Bagobo, Bila-an, Kulaman, Tagakaolo, Ata, and Mandaya. I retained the spelling of the names found in the book. For full accounts of the myths and customs of the tribes, I recommend reading the book. BAGOBO Eugpamolak Manobo/Manama/Kalayagan  - first and greatest creator whose home is in the sky. Offerings for him should be white. Tolus ka balakat - name means "dweller in the balakat"; loves blood but not the flesh of humans and is one of the three deities for whom the yearly sacrifice is made. Mandarangan and Darago - husba...

An Analysis of the Enuma Elish (The Epic of Creation) or The Seven Tablets of Creation, A Babylonian Creation Myth

*Note: This was a term paper for a class. Since I don't know what grade the professor gave me (or of she even read the paper at all), I decided to post it here. The Enuma Elish is also called The Seven Tablets of Creation. It documents the Babylonian creation epic. It was recorded in seven clay tablets found at various locations including the infamous library of Ashurbanipal at Nineveh, discovered by Austen Henry Layard. The name of the hero of the epic varies depending on where the tablet is found. The most common version tells of Marduk as the hero. In other versions, the god of the city is considered the hero. Introduction The title of the epic is taken from its opening line “When in the height, heaven was not named...” The epic chronicles Marduk’s war against Tiamat. He leads the other gods against the old divinity who had turned against her children. Besides Marduk’s exploits, the epic also tells about the birth of the gods and goddesses and the creation of the universe....

The Ghost of Sparta: A Review of the God of War Series

Several adaptations of Greek Mythology in media have appeared over the years. Some were successful while the others have failed to represent the ancient Greeks. Among the most memorable I've encountered is this series. Not only was it able to illustrate the heroes, monsters and gods in myths, but also brought to the fore the often ignored question - what happens to the Greek pantheon after they defeated the Titans? It is unique because the hero in this game is not a hercules-achilles-jason clone. The protagonist is a minor figure in Greek mythology. Kratos (Cratos) is a servant of the gods and one of Zeus' children, which is close enough to the real version (Cratos is not a child of Zeus, but one of his servants along with Nike). And unlike most heroes, he does not carry weapons to save humanity. He seeks revenge to cleanse his past. The series began when he sought to kill Ares, the God of War.  He was finally able to kill Ares with the help of the other gods. The portrayal...

Literary Theory and Criticism

Note: This is my final paper for Adv. Literary Theory and Criticism, one of my classes in MA in Literature.  October 2015. I'm posting this here as a backup in case I lose my copy and I need a guide in the future. Literature is the soul of a civilization. It is the collection of dreams, ideas and experiences of a people. It is what separates us from animals. It is an examination of our aspirations, happiness, fears and sadness, ideas and opinions. As a student of literature, I have learned that to get the most out of a poem, short story, novel, play or film, I must go beyond simple reading and observation. To do this however, I have to answer first the question "how do we fully appreciate a literary piece?" This essay is divided into four sections, namely; what is literature for me; the literary theories and criticism; Heneral Luna: a film review using the poststructuralist approach; and what makes a good literature? In the first part, I will recall my experiences a...