Skip to main content

Forge of Darkness by Steven Erikson




This first installment of the Kharkanas Trilogy introduces the realm of Kurald Galain as it was long before the advent of the Malazan Empire. Told from various characters' points of view, it relates the events leading to the schism of its old and recent inhabitants, particularly the Tiste. Readers will be able to deduce how the Tiste broke up into what are now known as the Andii, Liosan, and Edur.

There are familiar characters from the Malazan Book of the Fallen series, notably a younger and more emotional Anomander, as well as new characters including those that are mentioned only in passing in the other books. Readers will be reintroduced to the Vitr, Azath, Shake, Hust Swords,  and the Warrens or Houses. Several clues are given to the origins and functions of those mentioned, but new questions will come to mind.

Unlike the Malazan series however, the story is told in a direct manner, seldom steering away from the main story; that's if the long character ramblings are not taken into consideration. The pace at the beginning of the book is slow but the tension is already established at the mention of Mother Dark's uncertain position and power. Events that seem unrelated at first will fall into place near the end of the book creating an explosive ending.

Throughout the book there is a recurring theme. Book One explored the idea of gifts as probable curses and a faith that grants empty platitudes and an end to thinking. Book Two talks about how the acquisition of power can be used to challenge fear. Yet power doesn't work for long and therefore "power is meaningless and delusional." Meanwhile Book Three states that "what is given away for free comes back wounded" because its value is not always the same for those who receive it. Book Four sums up all these ideas about the gift by describing the consequences of K'rul's actions, the birth and sharing of new sorceries (the warrens. It will be recalled that in the previous series it has been stated that K'rul "bled" to create these new so-called pathways). The book puts forward the idea that whether a gift is for a good cause or done out of love, its effect to the receiver will not necessarily bring happiness and contentment.

All of the characters, even the supporting characters, have long portions of ramblings or introspection. It's tedious but the depth of Erikson's writing is what makes his books so enjoyable. There are surprising revelations in this book that fans of the Malazan books will be delighted (or horrified) to know about. I'm looking forward to more of those in the next book.

Rating: 8.5 out of 10

Popular Posts

Deities and Mythical Beings of the Davao Tribes

Note: I don't claim to be an expert in the mythology and religion of the six tribes featured here. My source for this information is Fay-Cooper Cole's The Wild Tribes of Davao District, Mindanao. This entry is solely a list for future references. The deities and mythological creatures here are from Fay-Cooper Cole's The Wild Tribes of Davao District, Mindanao . This is a list of the gods, goddesses, and spirits/spirit classes of the Bagobo, Bila-an, Kulaman, Tagakaolo, Ata, and Mandaya. I retained the spelling of the names found in the book. For full accounts of the myths and customs of the tribes, I recommend reading the book. BAGOBO Eugpamolak Manobo/Manama/Kalayagan  - first and greatest creator whose home is in the sky. Offerings for him should be white. Tolus ka balakat - name means "dweller in the balakat"; loves blood but not the flesh of humans and is one of the three deities for whom the yearly sacrifice is made. Mandarangan and Darago - husba...

An Analysis of the Enuma Elish (The Epic of Creation) or The Seven Tablets of Creation, A Babylonian Creation Myth

*Note: This was a term paper for a class. Since I don't know what grade the professor gave me (or of she even read the paper at all), I decided to post it here. The Enuma Elish is also called The Seven Tablets of Creation. It documents the Babylonian creation epic. It was recorded in seven clay tablets found at various locations including the infamous library of Ashurbanipal at Nineveh, discovered by Austen Henry Layard. The name of the hero of the epic varies depending on where the tablet is found. The most common version tells of Marduk as the hero. In other versions, the god of the city is considered the hero. Introduction The title of the epic is taken from its opening line “When in the height, heaven was not named...” The epic chronicles Marduk’s war against Tiamat. He leads the other gods against the old divinity who had turned against her children. Besides Marduk’s exploits, the epic also tells about the birth of the gods and goddesses and the creation of the universe....

The Ghost of Sparta: A Review of the God of War Series

Several adaptations of Greek Mythology in media have appeared over the years. Some were successful while the others have failed to represent the ancient Greeks. Among the most memorable I've encountered is this series. Not only was it able to illustrate the heroes, monsters and gods in myths, but also brought to the fore the often ignored question - what happens to the Greek pantheon after they defeated the Titans? It is unique because the hero in this game is not a hercules-achilles-jason clone. The protagonist is a minor figure in Greek mythology. Kratos (Cratos) is a servant of the gods and one of Zeus' children, which is close enough to the real version (Cratos is not a child of Zeus, but one of his servants along with Nike). And unlike most heroes, he does not carry weapons to save humanity. He seeks revenge to cleanse his past. The series began when he sought to kill Ares, the God of War.  He was finally able to kill Ares with the help of the other gods. The portrayal...

Literary Theory and Criticism

Note: This is my final paper for Adv. Literary Theory and Criticism, one of my classes in MA in Literature.  October 2015. I'm posting this here as a backup in case I lose my copy and I need a guide in the future. Literature is the soul of a civilization. It is the collection of dreams, ideas and experiences of a people. It is what separates us from animals. It is an examination of our aspirations, happiness, fears and sadness, ideas and opinions. As a student of literature, I have learned that to get the most out of a poem, short story, novel, play or film, I must go beyond simple reading and observation. To do this however, I have to answer first the question "how do we fully appreciate a literary piece?" This essay is divided into four sections, namely; what is literature for me; the literary theories and criticism; Heneral Luna: a film review using the poststructuralist approach; and what makes a good literature? In the first part, I will recall my experiences a...